Melanie Lynskey Net Worth 2022, Age, Husband, Height, Children, Parents

Read the complete write-up of Melanie Lynskey net worth, age, husband, children, height, family, parents, siblings, movies, tv shows as well as other information you need to know.

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Introduction

Melanie Lynskey is a New Zealand actress. She is known for playing quirky, soft-spoken but headstrong characters, and works predominantly in independent films. Her accolades include a New Zealand Film Award, a Hollywood Film Award, and a Sundance Special Jury Award, as well as Gotham Award, Golden Nymph Award, Critics’ Choice Award, and Screen Actors Guild Award nominations.

Lynskey made her film debut starring as a teenage murderess in Peter Jackson’s Heavenly Creatures (1994). After moving to the United States, she built a career playing supporting parts in a variety of big-budget and small-scale features, such as Ever After (1998), Detroit Rock City, But I’m a Cheerleader (both 1999), Coyote Ugly (2000), Abandon, Sweet Home Alabama (both 2002), Shattered Glass (2003), Flags of Our Fathers (2006), Away We Go, Up in the Air, The Informant!, Leaves of Grass (all 2009), Win Win (2011), Seeking a Friend for the End of the World, The Perks of Being a Wallflower (both 2012), They Came Together (2014), and Don’t Look Up (2021).

She received critical acclaim and a nomination for the Gotham Award for Breakthrough Performer for her starring role as a depressed divorcee in Hello I Must Be Going (2012), which proved to be a turning point in her career. Subsequent lead roles in Happy Christmas, We’ll Never Have Paris, Goodbye to All That (all 2014), The Intervention, Rainbow Time, Little Boxes (all 2016), I Don’t Feel at Home in This World Anymore, And Then I Go (both 2017), Sadie (2018) and Lady of the Manor (2021) have established her as a prominent figure in the American independent film community.

Early life

Name	Melanie Lynskey
Net Worth	$7 million
Profession	Actress
Height	1.71m
Age	44 years

Melanie Lynskey net worth 2022

Melanie Jayne Lynskey was born on May 16, 1977 (age 44 years) in New Plymouth, New Zealand. She is the daughter of Kay Lynskey, a former nurse, and Tim Lynskey, an orthopedic surgeon. She is the oldest of five children and has three brothers and one sister. Her surname is Irish.

During her childhood, Lynskey’s family moved to England for one year before returning to New Zealand. She attended New Plymouth Girls’ High School, where she was involved in the drama department and school plays. After high school, Lynskey studied at Victoria University of Wellington.

Career

Melanie Lynskey made her professional acting debut at age 16, starring in Peter Jackson’s Heavenly Creatures, a psychological drama based on the Parker–Hulme murder case. Lynskey played Pauline Parker, a teenager who carries out a brutal crime with the assistance of her best friend (played by Kate Winslet). She auditioned for the role when a casting director visited her high school; prior to this, 500 girls had been considered for the part of Pauline, but “none were right”.

The film’s co-writer (Fran Walsh) admired Lynskey’s “quiet intensity”, and said, “We knew immediately that she was right for the role”. Heavenly Creatures was met with critical acclaim upon its release in 1994. Roger Ebert praised Jackson for casting “the right two actresses”, noting that “there is a way Lynskey has of looking up from beneath glowering eyebrows that lets you know her insides are churning”. Owen Gleiberman of Entertainment Weekly described Lynskey as “extraordinary”, while Richard Corliss stated in his review for Time:

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The film’s serendipitous stroke was to find Winslet and, especially, Lynskey, a first-time actress. They are perfect, fearless in embodying teenage hysteria. Heavenly Creatures is recognized as a landmark in New Zealand cinema. It was nominated for Best Original Screenplay at the 67th Academy Awards, while Lynskey was named Best Actress at the 1995 New Zealand Film Awards. She regards working with Jackson and Winslet as an important learning experience. During the making of the film, she grew particularly close to Winslet, who later said, “Mel is like the left side of my body. We had the exact relationship in terms of communication and love that Pauline and Juliet had. From the minute we saw each other”.

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Following a two-year gap—during which she attended university, auditioned for a part in The Crucible (1996), and had a non-speaking cameo in Peter Jackson’s The Frighteners (1996)—Lynskey secured a leading role in the independent drama Foreign Correspondents, which was filmed in Los Angeles in 1997 and garnered attention for its use of crowdfunding, a strategy that was considered a “breakthrough” at the time. That same year, she was cast as Drew Barrymore’s “charming and funny” stepsister in Ever After, an epic re-imagining of the Cinderella story. The film was a commercial and critical success upon its release in 1998.

In 1999, Lynskey appeared in four features: teen comedy Detroit Rock City; an adaptation of Anton Chekhov’s The Cherry Orchard; British gangster drama Shooters; and the cult hit But I’m a Cheerleader, which is often referred to as one of the best LGBT films ever made. Next, she adopted a New Jersey accent for a key role as Piper Perabo’s best friend in the romantic comedy Coyote Ugly (2000) and returned to New Zealand to star as Alice—a free-spirited drifter who embarks on a dangerous road trip—in the award-winning Snakeskin (2001), which screened at the Cannes Film Festival. For the latter, she received strong reviews and a nomination for Best Actress at the New Zealand Film Awards.

In 2002, Lynskey re-teamed with director Andy Tennant—whom she previously worked with on Ever After—to play a childhood acquaintance of Reese Witherspoon in the romantic comedy Sweet Home Alabama, which had a record-breaking opening weekend in North America. In recent years, the scene in which Lynskey’s character (Lurlynn) nurses her baby in a crowded bar has been noted for its cultural relevance. Next, she appeared alongside Katie Holmes in the psychological thriller Abandon, the directorial debut of Stephen Gaghan.

The film received negative reviews from critics, but Lynskey’s performance was considered to be one of its strong points, with Todd McCarthy of Variety pointing out that she “does some self-conscious scene-stealing”. That same year, she made her television debut in Rose Red, a miniseries written by Stephen King. The series was a rating hit with an average of 18.5 million viewers over three consecutive nights.

Supporting film roles and Two and a Half Men

In 2003, Melanie Lynskey played the role of Amy Brand—a writer for The New Republic—in Shattered Glass, a film based on the career of former journalist Stephen Glass (played by Hayden Christensen). Jeff Otto of IGN called it “a tension-filled drama with great performances”, while Andrew Sarris felt it was “as well-executed as any movie I’ve seen this year”, noting that “the performances of … Ms. Sevigny, Ms. Dawson, and Ms. Lynskey do more than complement Mr. Christensen’s central characterization; they provide a sane backdrop for his pathological deceptions to steadily unravel against”.

Later that year, she landed the part of Rose, the devious but lovable neighbor of Charlie Harper (played by Charlie Sheen) on the CBS sitcom Two and a Half Men. After initially appearing in the pilot episode as a guest character, Lynskey was invited to become a series regular and went on to appear frequently throughout the show’s first two seasons. Despite leaving the main cast in 2005 to concentrate on film work–a decision that executive producer Chuck Lorre said he had “a lot of respect for”—she continued to make guest appearances on the show up until its final episode, which aired in February 2015.

In 2006, Lynskey appeared as the wife of Rene Gagnon (played by Jesse Bradford) in the Clint Eastwood-directed war feature Flags of Our Fathers. Writing for the Honolulu Star-Advertiser, Burl Burlingame called it “the richest testament Hollywood has yet made about the paroxysm of World War II … an astounding movie on every level”, while Peter Travers of Rolling Stone believed it was “a film of awesome power and blistering provocation”. The following year, she played one of the principal characters—a woman desperate to get away from her abusive husband—on the short-lived television series Drive, which was canceled by FOX midway through its first season run. In her review for the Los Angeles Times of the series’ first two episodes, Mary McNamara described Lynskey as “especially compelling”.

In 2008, Lynskey had a supporting role in the three-part Western miniseries Comanche Moon, which aired on CBS. The series received mixed reviews from critics, but People commented that Lynskey’s performance was among the “best” in the cast. Later that year, she returned once again to New Zealand to star in the romantic drama Show of Hands, for which she earned a nomination for Best Actress at the Qantas Film and Television Awards.

Lynskey received strong reviews in 2009 for her appearance in Away We Go, a comedy-drama directed by Sam Mendes, where she played a woman who has suffered a series of miscarriages. Referring to the scene in which her character (Munch) performs pole dance in front of her grieving husband, Wesley Morris of The Boston Globe stated: “Lynskey dramatizes sadness and dysfunction with quiet, moving physicality.

Her character’s whole life is there in her long face and drooping limbs. It’s the best performance in the movie”. Next, she co-starred as Matt Damon’s wife, Ginger, in Steven Soderbergh’s comedic biographical drama The Informant!. Based on real events, the film was described as “devilish fun” by Rolling Stone, while Geoffrey Macnab of The Independent noted that Lynskey provided “sterling support”. During the promotion of the film in September that year, Soderbergh told the Los Angeles Times:

She is so watchable. You never quite know what you’re going to get, you just know it’s going to be good. Her rhythms are really unusual, like her cadence and her reaction times to things, and the way she sorts of lays out a sentence. It’s just really, really interesting.

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While making the film, Soderbergh discouraged Lynskey from contacting the real person on which her character was based, as he wanted her to reach her own conclusion about whether Ginger had been complicit in her husband’s crimes. “I decided she had no idea what was going on”, she later said. “She was trusting, she was the kind of wife who thinks her job is to stay in the house and take care of the kids … even though some things didn’t necessarily add up … She wasn’t asking too many questions”. Lynskey counts her time working on The Informant! as one of her favorite professional experiences.

Also in 2009, Lynskey appeared as Edward Norton’s pregnant fiancée in Tim Blake Nelson’s black comedy Leaves of Grass—with Seongyong Cho of RogerEbert.com writing that her performance was one of the key contributors to the film’s “quirky charm”—and as the younger sister of George Clooney’s character in Up in the Air. The latter, which was directed by Jason Reitman, was nominated in six categories—including Best Picture—at the 82nd Academy Awards. Reitman had never before cast a foreigner to play an American in one of his films, but Lynskey said that she “tricked” him into giving her the part by not speaking to him during her audition, therefore concealing her real accent. Reitman said he was “thrilled” by this. In October 2009, Lynskey was presented with a Spotlight Award at the Hollywood Film Festival.

In 2010, Lynskey had a starring role in Helena from the Wedding, which Jon Frosch of The Hollywood Reporter called a “wise, luminous low-budget comedy”, adding, “The actors form a seamless ensemble, but the film belongs to … Lynskey”. The following year, she starred opposite Kurt Russell in the sports drama Touchback and received praise for her portrayal of Cindy—a recovering drug addict—in Win-Win, where she co-starred with Paul Giamatti.

In his review of the latter for The Hollywood Reporter, David Rooney commended the film’s director (Tom McCarthy) for his “unerring touch with minor-key character-based comedy and emotionally honest drama”, while noting that Lynskey “brings welcome soft shadings to the story’s disruptive element”. Meanwhile, Mary Pols stated in her review for Time that “Lynskey has become one of the most reliably intriguing supporting actresses in film … she had parts in Away We Go, The Informant! and Up in the Air … she was wonderful in all three. In this, she gives a very different kind of performance and is even better”.

Major leading roles

In 2012, Melanie Lynskey appeared alongside Steve Carell in Lorene Scafaria’s comedy Seeking a Friend for the End of the World and had a key role as the teenage main character’s sexually abusive Aunt Helen in The Perks of Being a Wallflower, a drama based on the novel of the same name. Due to the nature of her character in the latter, Lynskey said it had been a difficult decision to take the part. Also that year, she starred in the romantic comedy Putzel, with Mark Hinson of the Tallahassee Democrat writing that her performance—in the role of Sally, a professional dancer and the love interest of the main character—”steals the show … the film sparks to life whenever the charming Lynskey arrives on the screen”; while in his review for Redefine, Allen Huang described her as “delightful” and “deftly believable”.

Lynskey’s portrayal of Amy Minsky—a divorcee who finds herself having to move back in with her parents—in Hello I Must Be Going (2012) was particularly well received by critics. For the first time in her career, Lynskey appeared in every scene throughout the film; she described the experience as “a lot of pressure”, and said that she initially assumed the part would be given to somebody like Michelle Williams or Maggie Gyllenhaal. Speaking of his decision to cast Lynskey, director Todd Louiso said, “I knew if I cast her, the film had the potential to resonate on a thousand different levels”. In his review for the Los Angeles Times, Kenneth Turan wrote:

If you know the name Melanie Lynskey, you’re already planning to see her in Hello I Must Be Going. If you don’t, this film will have you making up for a lost time. That’s how good an actress she is.

USA Today praised the film for being “funny, well-written, involving and emotionally honest”, while noting that “Lynskey brings dimension and intelligence” and a “sympathetic blend of humor, dignity, and naturalness to the role”. The performance earned her a nomination for the Gotham Independent Film Award for Breakthrough Actor. In 2015, Screen Rant placed Lynskey’s portrayal of Amy at #6 on their list of the “20 Best Acting Performances of The Last 5 Years”.

In 2013, Lynskey had a starring role in The Big Ask, an independent comedy-drama. The film received a mixed reception from critics, but Lynskey’s portrayal of Hannah was praised. In April the following year, she was named an Emerging Master honoree at the RiverRun International Film Festival. Her next role was in Happy Christmas (2014), where she played Kelly, an aspiring novelist whose passion for writing is rekindled when her sister-in-law (played by Anna Kendrick) comes to visit. The film drew attention for being almost entirely improvised. Stephen Holden of The New York Times commented, “The performances in Happy Christmas are so natural that the actors melt into their characters”, while other critics singled out Lynskey as a highlight.

Later that year, she appeared as Amy Poehler’s best friend in David Wain’s They Came Together, and played the female leads in We’ll Never Have Paris and Goodbye to All That. In his review of the latter, Bilge Ebiri described Lynskey as “fantastic”. Next, she provided the voice of Beatrice, an ill-tempered bluebird, for the Cartoon Network miniseries Over the Garden Wall. Kevin Johnson of The A.V. Club noted, “Lynskey steals the show with her amazing putdowns and passive-aggressiveness, smartly avoiding overdone sass or sarcasm”. The series went on to receive three Creative Arts Emmy Awards, including Outstanding Animated Program.

From 2015 to 2016, Lynskey played Michelle Pierson on the HBO series Togetherness, which focused on the lives of two couples living under the same roof. The show—which was created by the Duplass brothers—ran for two seasons, and was praised for its intimate storytelling and the performances of its cast. Robert Lloyd of the Los Angeles Times wrote, “Lynskey is all deep waters and live wires; soft and steely, trying on new personas for size, her Michelle becomes the series’ gravitational center. You can feel her feeling”. The performance earned Lynskey a nomination for the 2015 Critics’ Choice Television Award for Best Supporting Actress in a Comedy Series. Despite missing out on a Primetime Emmy Award nomination in 2016, she was singled out as a worthy candidate in the run-up to that year’s ceremony. In March 2016, it was announced that HBO had decided not to renew Togetherness for a third season. Lynskey later compared this to having her “heartbroken by someone I’m still in love with”.

For her role in The Intervention (2016), Lynskey received the U.S. Dramatic Special Jury Award for Individual Performance at the Sundance Film Festival. In his review for IndieWire, Russ Fischer pointed out Lynskey’s “tremendously good comic timing”, while Ethan Anderton of /Film noted, “Lynskey is the standout, delivering a performance that is genuine, funny and touching all at the same time”. The film was the directorial debut of actress Clea DuVall, who wrote the character of Annie, an uptight alcoholic, specifically for Lynskey.

Melanie Lynskey sought the help of a therapist before the film went into production to prepare herself for working with DuVall, a close friend of several years: “I didn’t want anything to happen to our friendship and a big challenge was being able to stick up for myself and my perspective in regard to the script and this character”. Also that year, she starred opposite Robert Webb in the BBC Two comedy pilot Our Ex-Wife and had leading roles in the independent features Rainbow Time, Little Boxes, and The Great & The Small. Joe Leydon of Variety described her performance in the latter as “quietly devastating”.

Other movies appearances

Melanie Lynskey’s performance in the Netflix crime thriller I Don’t Feel at Home in This World Anymore (2017) was roundly praised by critics. The film’s director (Macon Blair) wrote the character of Ruth, a downtrodden vigilante who teams up with her neighbor (played by Elijah Wood) to track down a burglar, with Lynskey in mind. The role proved to be physically challenging, as it involved stunt work and the use of prosthetics. Peter Debruge of Variety commended Blair for giving Lynskey “something unforgettable to do” and felt that she delivered her “best work yet”, while Time Out described her as “seething and magnetic”. In his review for RogerEbert.com, Matt Zoller Seitz said:

Lynskey is one of those actresses I’m not glad to see, and it’s a treat to see her front-and-center here, carrying an entire movie mainly with her eyes, face, and shoulders. A performance like this one can be quite tricky—you’re essentially reactive a lot of the time, more of a sponge for the film than the motor driving it along—but Lynskey makes everything active by letting you feel Ruth’s emotions and sense her train of thought as she puts various pieces together in her head, drawing correct or wrongheaded conclusions. She’s also just a terrific audience surrogate. When she snarls or snaps, I wanted to cheer.
The film was awarded the Grand Jury Prize at Sundance, while Lynskey received a nomination for the Gotham Independent Film Award for Best Actress.

Following the release of I Don’t Feel at Home in This World Anymore, Lynskey had starring roles that same year as the parent of a troubled high school student in the controversial drama And Then I Go; a defense lawyer in the Australian miniseries Sunshine, for which she received a Golden Nymph Award nomination; the mother of a girl with supernatural powers in The Changeover; and in the horror film XX, in which her character frantically tries to hide her husband’s body after finding him dead. In her review of the latter, Stephanie Zacharek of Time wrote, “The picture has a wry, comic charge, and Lynskey, terrific as always, brings a grace note of pathos to the wicked proceedings”.

Lynskey had a starring role in the independent drama Sadie in 2018, playing a woman struggling to raise her daughter while her husband is on a tour of duty in Afghanistan. Variety described the film as “quietly absorbing”, adding that Lynskey’s work was “strong” and “compelling”; while Frank Scheck of The Hollywood Reporter wrote, “It’s no surprise that Lynskey, who has quietly been establishing herself as one of indie cinema’s finest actors, is once again superb in her emotionally complex turn”. Next, she appeared in the principal role of Molly Strand in the first season of Castle Rock, a psychological horror series based on characters and settings from the novels of Stephen King.

The series premiered on Hulu in July 2018 and garnered positive reviews, particularly for the cast; Paste referred to Lynskey as “delicately complex”, while Alan Sepinwall of Rolling Stone felt the show was “the latest example of how much humanity and grounding Lynskey can bring to the most surreal and macabre of stories … a tradition that goes back to when she was a teenager in Heavenly Creatures”. The series was later renewed for a second season; however, due to the anthological nature of the narrative, it featured a different set of actors.

Between April and May 2020, Melanie Lynskey co-starred with Cate Blanchett in the nine-part miniseries Mrs. America, a political drama centered on the career of conservative activist Phyllis Schlafly. The series ran on FX on Hulu and was widely acclaimed by critics, with James Poniewozik of The New York Times calling it “breathtaking … a meticulously created and observed mural that finds the germ of contemporary America in the striving of righteously mad women”. Lynskey’s portrayal of the real-life Rosemary Thomson, a staunch supporter of Schlafly’s, was described as “delightful” and a “standout” among the cast. She later called working with Blanchett “one of the great experiences of my life”.

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In 2021, Lynskey played the principal role of Hannah—a layabout stoner who unwittingly lands a job as a tour guide in a historic mansion—in the buddy comedy Lady of the Manor, the directorial debut of actor Justin Long and his brother, Christian. Lynskey said that she agreed to take the part because “the thought of being in sweatpants and just acting like I was high for a whole movie was so freeing”. Critics were dismissive of the film’s reliance on scatological humor, but Lynskey’s performance was well-received, with Angie Han of The Hollywood Reporter commenting that she “brings the same airtight commitment to hot mess, Hannah, that she does to all her varied roles” and finding her chemistry with co-star Judy Greer to be “warm and genuine”; while Screen Rant felt that she “shines as … the rudderless, classless … screw-up.

She unabashedly embraces physical humor … and really commits to the gags. There are a few laugh-out-loud moments in the film, and Lynskey is at the center of all of them”. Adam McKay’s satirical tackling of the climate change crisis, Don’t Look Up, was Lynskey’s second film role of 2021. Her portrayal of June—the wife of Leonardo DiCaprio’s Randall—was picked out as a highlight among the ensemble cast, with David Rooney of The Hollywood Reporter describing her as “terrific”, and IndieWire’s David Ehrlich writes: “She’s low-key brilliant as DiCaprio’s clear-headed wife, her grounded performance paving the way for a surprisingly poignant climax”. In January 2022, it was reported that Don’t Look Up had set a record for the most viewings of any film on Netflix (the film’s distributor) in a single week, making it the third most-watched item in the company’s history.

On the Showtime series Yellowjackets, which premiered on 14 November 2021, Lynskey stars in the role of Shauna, a suburban housewife, and mother who, along with three old friends (played by Tawny Cypress, Christina Ricci, and Juliette Lewis) has been harboring secrets about a plane crash that occurred 25 years ago. The series was praised by Judy Berman of Time for its “psychological realism” and ability to mix different genres together successfully, while Lacy Baugher Milas of Paste felt it was “one of the fall television season’s most compelling new offerings, a twisty mystery that … grounds its story in a specifically female experience in a way that other shows like this have never bothered to try”.

The cast was unanimously commended for their performances, but Rolling Stone believed “The standout … is Lynskey. She’s always great, but Shauna feels like the … part she’s been waiting for her whole career to play”. In a similar review, The Guardian agreed that “Lynskey does by far the most emotional heavy lifting of the series”. Lynskey said it was the character’s “internalized rage” that attracted her to the role, as well as “a real dark streak that I … loved and was also terrified of”. She told the New York Post:

I’m 44 years old, and here I am playing somebody who’s complex and interesting and has a love life and a history … And, it’s a show about four middle-aged women that a major network is willing to make … I’m getting opportunities now that I would have been overjoyed to have when I was younger.

Acting style

Melanie Lynskey describes herself as a character actress. “Even when I’m reading a script where I’m supposed to be looking at the lead role, I’ll find myself gravitating toward some small weirdo in a few scenes instead”. Regarding her acting technique, Lynskey has said, “I don’t have any training … so the only thing I have to go on is my own instinct. So if a director gives me a note that doesn’t feel like it’s in line with my instinct, it’s very hard for me to do something that … feels like a lie. So, I’ll argue it, and I can get kind of feisty because I feel it in my body, I know what is right”.

Asked by a journalist in 2012 about how she felt being cast—up to that point in her career—as a supporting player rather than a lead, Lynskey said it was something she had thought about a lot, and that the “meaty” parts are mostly written for men or actresses like Meryl Streep. “For a while, I was only being sent fat-girl parts”, she said. “Seriously? Sometimes I feel like I’m making some kind of radical statement because I’m a size 6”.

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She told a different journalist that same year, “It’s been a big issue that I’m not famous … I’ll audition for something and then the feedback has been, ‘The director wants you, the creative people want you, but the studio is saying no’ … but I understand. People are investing a lot of money and they want somewhat of a guarantee”. Lynskey has subsequently taken on leading roles in numerous independent films and has been labeled an “indie queen”.

Speaking in 2017 about taking risks in her film work, Lynskey said, “I want to tell stories about women who are interesting and complicated and not like people you’ve seen before … There aren’t that many opportunities to do that except in the independent film world. I’ve made films that have cost $50,000 for the entire film. If you’re willing to work like that, you get chances to do really creative, interesting stuff”.

Lynskey is often complimented on her ability to perform an American accent. She attributes this to staying with Joss Whedon when she first moved to Los Angeles: “When I came here, I stayed in his guest bedroom … I watched movie after movie and learned American accents”. Tim Blake Nelson recalled that when she auditioned for the part of Colleen in Leaves of Grass, “she came in and auditioned for me and then… she opened her mouth and started talking in a New Zealand accent and I just couldn’t believe it, because her south-eastern Oklahoma accent was so spot on, and it’s a very specific accent”.

Voiceovers

In 2012, Lynskey voiced an animated version of herself in an airline safety video for Air New Zealand. In February 2013, she participated in a Live Read performance of the 1992 film Glengarry Glen Ross. The read-through was directed by Jason Reitman, who assembled a cast of women to read the all-male script; Lynskey portrayed the role of George Aaronow (originally played by Alan Arkin).

Lynskey featured on several occasions as part of The Thrilling Adventure Hour, a staged production and podcast in the style of old-time radio that was held monthly in Los Angeles. The show ran from March 2005 to April 2015. In 2015, she starred in the music video for the song “Waiting on Love” by Nicki Bluhm and The Gramblers, alongside her then-boyfriend (now husband) Jason Ritter. In June 2018, Lynskey was invited to become a member of the Academy of Motion Picture Arts and Sciences.

Husband

Melanie Lynskey is married to actor Jason Ritter, they had their wedding in 2020. They started dating in February 2017, she became engaged to her husband Jason Ritter after four years of dating. They have since married and have a daughter, who was born in December 2018. However, in 2001, Lynskey met American actor Jimmi Simpson during the filming of Rose Red, in which they both appeared. They became engaged in 2005 and married on 14 April 2007, in a chapel on Lake Hayes, near Queenstown, New Zealand. Lynskey filed for divorce from Simpson on 25 September 2012, citing irreconcilable differences. The divorce was finalized on 23 May 2014.

Lynskey lives in Los Angeles. She is a close friend of Clea DuVall, whom she met when they appeared together in But I’m a Cheerleader. Lynskey became a vegetarian at age 10 after learning about sheep farming but now identifies as a pescetarian. She suffers from misophonia. She has been open about her struggle with an eating disorder, which lasted for several years. Speaking in 2016, she said that she was “very unwell for a long time”, and later recalled that “even when I was … 58 kilograms I would still be shamed in wardrobe fittings for not being sample size”.